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Select Publications, Monographs, Books & Research:


"Derek Parfit: Das Auge des Geistes", Olivier Berggruen und Samuel Solosky-Tifft (2017)

“Stravinsky and Picasso: Elective Affinities”, Picasso-Between Cubism and Classicism 1915-25, Skira (2017), pp. 61-71

“Anita Brookner” Artforum, (2016)

"The Fragmented Self" in Dieter Buchhart ed., Jean-Michel Basquiat: Now's the Time, Prestel (2015)

“The Oddly Bewitching Novels of Nobel Laureate Patrick Modiano”, The World Post (2014)

“Lygia Pape”, Print Quarterly, (2014), pp. 360-363

“Adriana Varejão” in Imagine Brazil, Astrup Fearnley Museum, (2013), pp.150-153

Afterword in Venices, by Paul Morand, Pushkin Press (2013)

Picasso Monochrome in Picasso: Black and White, Guggenheim Museum Publications, New York (2012)

“Picasso in the Brandhorst Collection”, Print Quarterly, (2012)

“The Realm of Pure Sensations” in Playing With Form: Neoconcrete Art From Brazil, Edited with Essay, Dickinson New York (2011), pp. 19-27

The Writing of Art, Pushkin Press (2011)

Astrup Fearnley Museum of Modern Art, Oslo (2010)

“The Prints of Jean-Michel Basquiat”, Print Quarterly, (2009), pp. 28-38

“Einige Notizen zu Paul Klee und Heinz Berggruen” in Das Universum Klee, edited by Dieter Scholz and Christina Thomson, Staatliche Museen zu Berlin/Hatje Cantz, pp. 81-83 (2008)

“The Drama of the Line” in Seven Line Drawings by Picasso, Venetia Kapernekas Gallery, (2008), pp. 1-11

“The Landscape of the Mind” in Agnes Martin, Thomas Ammann Fine Art  Zurich (2008)

Sristi, Sharmila Desai, Dance and Performance, Edited and Essay, Trolley Books (2007)

“The Theater as Metaphor” in Picasso and the Theater, Edited with Essay, Hate Cantz Publishers (2007), pp. 27-36

“The Summons to Living Things to Return Home” in Cy Twombly: Bacchus, Gagosian Gallery, (2005), pp. 5-15

“Ed Ruscha: Ribbon of Words” in Ed Ruscha: The Drawn Word, Edited with Essay, Windsor Press (2004), pp. 1-7

“Efflorescence & Evanescence” in Karin Waisman: The Garden of Eden, Haim Chanin Fine Arts, (2004), pp. 3-7

“L’Architecture du Désir” in Matta 1936 - 1944: Début D’Un Nouveau Monde, Malingue, Paris (2004), pp. 13-19

“La disolución del ritual en el vacío” in Yves Klein, Hatje Cantz Publishers (2004)

“Picasso and Line Drawing: The Essential Gesture” in Picasso: The Berggruen Album, Mitchell-Innes & Nash / John Berggruen Gallery, (2004),  pp. 81-88

“Picasso & Bacon: Painting the Other Self” in Francis Bacon and the Tradition of Art, Edited by Wilfried Seipel, Barbara Steffen, Christoph VitaliSkira Editore S.p.A. (2003), pp. 71-83

“Picasso & Bacon: Painting the Other Self,” “Bacon, Picasso and Surrealism” and “The Representative Portrait” in Francis Bacon and the Tradition of Art, edited by Wilfried Seipel, Barbara Steffen, and Christoph Vitali; Kunst-historisches Museum Wien/Foundation Beyeler/Skira Editore S.p.A.; (2003); pp. 71-83, pp. 163-167, pp. 233-236

Henri Matisse: Drawing with Scissors: Masterpieces from the Late Years, Edited with Essay, Prestel Publishing (2002)

“Yves Tanguy, Peintre de l’illusion métaphysique” in Yves Tanguy, Malingue (2002), pp. 9-13

“Das Reich des Optischen: Cézanne’s Aquarelle” in Cézanne in Berlin, Staaliche Museen zu Berlin–Preußischer Kulturbesitz Nationalgalerie (2000), pp. 9-15

“The Future of Painting” in Portraits Lost in Space: George Condo, Pace Wildenstein, New York (1999), pp. 30-34

Afterword in Andreas by Hugo von Hofmannsthal, translated by Marie D. Hottinger, Puskin Press (1998), pp. 185-189

Paul Klee, Edited with Introductory Essay, Artemis Group (1989)